Sculptures

BERIT

BERIT was born in Norway in 1964. Berit almost exclusively represents Young girls a her purity. She’s a selfthaught sculptors. She teached sculpture for a long time and she totally devotes herself to her art now.

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BERIT

BERIT was born in Norway in 1964. Berit almost exclusively represents Young girls a her purity. She’s a selfthaught sculptors. She teached sculpture for a long time and she totally devotes herself to her art now.

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MIRAMONTES

Miramontes was born in Santiago de Compostella (Spain).
This eminent place of pilgrimage, which is of Celtic origin, still fascinates her and remains for her a magical area.
But it was in Belgium, in Brussels, that the artist grew up and did her studies, obtaining a teaching diploma in Fine Arts at the Institut Sainte Marie. 
She continued her training at the Fine Arts Academy of Saint-Gilles, in Patrick Pouillart's studio, where she acquired a solid experience of drawing and sketching from live models. She retained from this experience the need to fix at any moment the human body's movements, poses and impressions, jotting them down in numerous sketchpads. These are the many testimonies of the subtle and discerning eye she casts around her. 
She also followed the courses of the art historian Gastón Fernandez, who marked her artistic, rigorous yet generous reflection, always enlivened by an expansive open-mindedness. 
It was in a sculptor friend’s studio, that she made her passionate discovery of sculpture. This became her preferred mode of expression, to which she has devoted herself ever since.
 Every day, Isabel Miramontes shuts herself up in her studio. There, echoing her sketches, she fervently fashions the clay, explores new shapes to give body to her interior life and convey her vision of the world. Struck by a silhouette, a movement, a symbol, a thought, Isabel Miramontes translates the human pose with profound and sincere emotion.
The visual language of Isabel Miramontes steadfastly represents the human being in all the ambiguity of its power and frailty, its confinement and yearning for liberty, its dreams and triumphs. This fascinating figure, the synthesis of forms and thoughts, expresses the reality of life with its moments of joy, but also drama, abandon and tension. Indeed a figure who most assuredly speaks to everyone at the very depth of their being. 


"The eye of Isabel Miramontes, accustomed to art, calms life's gestures and torments. She reinvents them unhesitatingly in her artist's universe. 
Man and medium intermingle, disintegrate and reinvent themselves in new matter. Matter reduced to the essential that gently transforms itself into emotions and forgotten sensations, the supreme value of its destiny.
Discernible on their faces and gleaming the length of their limbs, the fineness of her sculptures aspires to freedom and imprints itself for ever on our minds."
F. Abi Khalil

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MIRAMONTES

Miramontes was born in Santiago de Compostella (Spain).
This eminent place of pilgrimage, which is of Celtic origin, still fascinates her and remains for her a magical area.
But it was in Belgium, in Brussels, that the artist grew up and did her studies, obtaining a teaching diploma in Fine Arts at the Institut Sainte Marie. 
She continued her training at the Fine Arts Academy of Saint-Gilles, in Patrick Pouillart's studio, where she acquired a solid experience of drawing and sketching from live models. She retained from this experience the need to fix at any moment the human body's movements, poses and impressions, jotting them down in numerous sketchpads. These are the many testimonies of the subtle and discerning eye she casts around her. 
She also followed the courses of the art historian Gastón Fernandez, who marked her artistic, rigorous yet generous reflection, always enlivened by an expansive open-mindedness. 
It was in a sculptor friend’s studio, that she made her passionate discovery of sculpture. This became her preferred mode of expression, to which she has devoted herself ever since.
 Every day, Isabel Miramontes shuts herself up in her studio. There, echoing her sketches, she fervently fashions the clay, explores new shapes to give body to her interior life and convey her vision of the world. Struck by a silhouette, a movement, a symbol, a thought, Isabel Miramontes translates the human pose with profound and sincere emotion.
The visual language of Isabel Miramontes steadfastly represents the human being in all the ambiguity of its power and frailty, its confinement and yearning for liberty, its dreams and triumphs. This fascinating figure, the synthesis of forms and thoughts, expresses the reality of life with its moments of joy, but also drama, abandon and tension. Indeed a figure who most assuredly speaks to everyone at the very depth of their being. 


"The eye of Isabel Miramontes, accustomed to art, calms life's gestures and torments. She reinvents them unhesitatingly in her artist's universe. 
Man and medium intermingle, disintegrate and reinvent themselves in new matter. Matter reduced to the essential that gently transforms itself into emotions and forgotten sensations, the supreme value of its destiny.
Discernible on their faces and gleaming the length of their limbs, the fineness of her sculptures aspires to freedom and imprints itself for ever on our minds."
F. Abi Khalil

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DEYCHAN

DEYCHAN was born in 1946. After a long career of creative scenes and costume apparel classic theater (Molière parts in particular) DEYCHAN launches in 2002 in the work of modeling, after courses in several studio art schools, she exhibits in gallery in 2009. the series of "travelers" and "choral" natural sandstone earth, enjoyed great success with the public.

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DEYCHAN

DEYCHAN was born in 1946. After a long career of creative scenes and costume apparel classic theater (Molière parts in particular) DEYCHAN launches in 2002 in the work of modeling, after courses in several studio art schools, she exhibits in gallery in 2009. the series of "travelers" and "choral" natural sandstone earth, enjoyed great success with the public.

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CLINT

Né en 1977 à Montréal, Paul-Henry CLINT, fils d’une famille de libraire, et petit fils de sculpteur, se plonge très tôt dans les livres d’aventures, d’explorations et d’ethnologie qui éveillent en lui des rêves de voyages. Il est très attiré par les zones polaires et les mers chaudes de la planète comme l’arctique et la Polynésie. Il réalise son premier voyage initiatique au Groenland à l’âge de 16 ans où il passe 2 mois au contact des Inuits. Paul-Henry Clint devient biologiste en 2001 et fait en parallèle deux ans aux beaux-arts en cours du soir. En 2002 il participe à une mission de comptage des ours polaires en mer de BARENTS au nord de la Norvège puis à l’élaboration d’un parc naturel en Alaska. A son retour il multiplie les actions en faveur de leur sauvegarde. Emu par leur beauté et leur noblesse il décide de les représenter en sculptures pour mieux les défendre et les immortaliser. Il utilise ses multiples clichés et documents pour les représenter dans leur vie quotidienne. Paul Henry Clint travaille sur la simplification des formes et sur le mouvement. Il joue sur l’attitude ambivalente de ce grand prédateur aux allures « joueuses et douce » des « nounours de notre enfance ». Son travail épuré et dynamique, met en évidence la grâce et la beauté des formes dans un univers contemporain.

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CLINT

Né en 1977 à Montréal, Paul-Henry CLINT, fils d’une famille de libraire, et petit fils de sculpteur, se plonge très tôt dans les livres d’aventures, d’explorations et d’ethnologie qui éveillent en lui des rêves de voyages. Il est très attiré par les zones polaires et les mers chaudes de la planète comme l’arctique et la Polynésie. Il réalise son premier voyage initiatique au Groenland à l’âge de 16 ans où il passe 2 mois au contact des Inuits. Paul-Henry Clint devient biologiste en 2001 et fait en parallèle deux ans aux beaux-arts en cours du soir. En 2002 il participe à une mission de comptage des ours polaires en mer de BARENTS au nord de la Norvège puis à l’élaboration d’un parc naturel en Alaska. A son retour il multiplie les actions en faveur de leur sauvegarde. Emu par leur beauté et leur noblesse il décide de les représenter en sculptures pour mieux les défendre et les immortaliser. Il utilise ses multiples clichés et documents pour les représenter dans leur vie quotidienne. Paul Henry Clint travaille sur la simplification des formes et sur le mouvement. Il joue sur l’attitude ambivalente de ce grand prédateur aux allures « joueuses et douce » des « nounours de notre enfance ». Son travail épuré et dynamique, met en évidence la grâce et la beauté des formes dans un univers contemporain.

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DE FRIASSE

Born in 1980, Charlotte DE FRIASSE first studied at the National School of Design and then to the School of "Les Beaux-Arts" in drawing and sculpture. After studying pure technique and admired his masters, Charlotte DE FRIASSE detaches quickly from the academic style to develop its own universe. She quickly sensitized to human relationships, and it is through a slender and dynamic style that works attitudes and postures. His characters are rarely declined only; The couple and the family are the main topics of expressions with a contemporary aesthetic sense. Her favorites subjects are happiness, beauty, harmony and complicity. It uses a mixed technique combining the nobility of bronze with iron and resin.

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DE FRIASSE

Born in 1980, Charlotte DE FRIASSE first studied at the National School of Design and then to the School of "Les Beaux-Arts" in drawing and sculpture. After studying pure technique and admired his masters, Charlotte DE FRIASSE detaches quickly from the academic style to develop its own universe. She quickly sensitized to human relationships, and it is through a slender and dynamic style that works attitudes and postures. His characters are rarely declined only; The couple and the family are the main topics of expressions with a contemporary aesthetic sense. Her favorites subjects are happiness, beauty, harmony and complicity. It uses a mixed technique combining the nobility of bronze with iron and resin.

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FIZANNE

NE EN 1948

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FIZANNE

NE EN 1948

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